after a strong first release contort yourself returns with events at the fatal party which comes over more as a description than a title, brimming with a bubbling sense of tension and fear. hamburg duo fallbeil kick things off in impressive style with a crunchy acid monster which twists and turns followed by two killer proto-techno cuts from legendary french industrial band die form from their 1985 tape hurt. here we find ourselves in a unsettling scenario with metallic voices scowling over clanging machines and guitar feedback in an unhinged way. the mysterious slugbug (l.i.e.s./russian torrent versions) starts the flip with goback, a creeping acidic beast moving unstoppably forward as a reverberating voice ripples throughout. any calm is then shattered by ibm a.k.a. jamal moss whose remix of die form hammers home a tough seven minutes of mangled synths, bubbling acid and thundering drums. a highly recommended, intense journey.

after a strong first release contort yourself returns with events at the fatal party which comes over more as a description than a title, brimming with a bubbling sense of tension and fear. hamburg duo fallbeil kick things off in impressive style with a crunchy acid monster which twists and turns followed by two killer proto-techno cuts from legendary french industrial band die form from their 1985 tape hurt. here we find ourselves in a unsettling scenario with metallic voices scowling over clanging machines and guitar feedback in an unhinged way. the mysterious slugbug (l.i.e.s./russian torrent versions) starts the flip with goback, a creeping acidic beast moving unstoppably forward as a reverberating voice ripples throughout. any calm is then shattered by ibm a.k.a. jamal moss whose remix of die form hammers home a tough seven minutes of mangled synths, bubbling acid and thundering drums. a highly recommended, intense journey.

introducing the new vinyl only label, public system recordings, co run by matthieu foltyn and eric strykert. the first release is a split series ep from dj spider and grey people. starting off the ep, dj spider s mind field offers a percussive drum riff, warm synths, and a slight off beat rhythmic intensity that moulds together perfectly. next on spider s side is demon seed an intense journey utilizing deep stabbing kicks, delayed snares, whistling synths, and finishes with a soft subtle chant. flipping the record, grey people enters into the well familiar analogue techno spectrum. deep friday builds up with short stabbing cords, flickering snares and a spooky vocal. too much relevance is a rough acid chicago throw back. don t let this one slip!!

after releases on saints & sonnets and stay underground, it pays, berlin artist quell aligns with the mil label for the four track tomahawk which further cements his reputation for no-nonsense, stripped back house and techno music. size 7 sets the tone, a dark, underground roller with a trilling bassline and acidy bleeps that sits nicely alongside the shimmering chords and deep dubby vibes of monolame. on the b-side, harhead leads with fluid percussive rhythms and sequential kick drums to give an immediate grooveintrinsic melody. the energetic, grooveled tone continues into the last track, where are they now, a dark, technofused stripped back rhythm track with an acid tinged-feel.

now a regular member of the figure roster, young portugese talent lewis fautzi resurfaces again, fresh off the back of an inspired full-length debut for soma records. continuing with his own take on the darker, trippier end of the techno spectrum, we re treated to 4 new tracks, beautifully sequenced and alive with energy. from the depths of fautzi s studio, >signal of the light< emerges with its deep resonant acid tones and broken beats. setting the mood, fautzi then unlocks the monster inside with three club-designed cuts that rattle, fizz, gyrate and swell with precision intensity. a name to keep an eye on without a doubt, its no surprise this young man s vision of modern techno is finding its way into dj s sets far and wide.

nice price deal !!! 3rd volume of our series moog your body. and back with the same formula, 4 artists that have passed through the legendary club barcelona. the album kicks off with mind over matter from abandoned footwear, american exillon project that delights us with a theme idm cosmic touches that will make you dance endlessly acid. then tempest 303 one lysergic lash roy of the ravers attacking with all his cacharreria to offer his sound classic acid. on the flip side, we have the theme trapped in a fit of malaria of drvg cvltvre a slow-cooked dark and hypnotic acid pump. and finally, the issue of snuffo its killing me dismisses the disc with a dance track narcotic halfway between the acid house and the new beat.

the third installment of silent movie sounds series features music from four producers each delivering a different cut of deep, hypnotic music. japanese artist mituo shiomi is a regular on simoncino s hotmix records. he kicks off the va with a mesmerizing house track. fresh from his ep on fina records, detroit-based producer appian contributes a thumping track to this 12inch. russian producer alex danilov returns to rhr with a love story to acid. last but not least, the chicagobased coowner of perpetual rhythms, nick marshall aka taelue closes the ep with a deep and emotional track with a solid kick and smooth synth lines.

ascion’s new solitary adventure on 3th records is the five tracks ep -public head-. imprinted in a folder that is designed by the producer himself, it starts with the electro-ish journey of “landescape” continuing towards the atmospheric broken-beat techno “public head”. on the flip side, “acido rosso” is a banging track in the manner of late 80’s acid-house that creates a strong anticipation for a classic techno cut, “xlight”. the ep is closing with the dramatic sci-fi attitude of “carnival”.

this is a techno ep by dj jus-ed

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

- no comprende- is a banging floor filler with wonderful arranged shaking sound elements. label owner gunman gives his remix a dark acid line and also shaking fx sounds for the right grooooove. the #004 side is an older project which did not make it on gu

saber, an off shoot of chicago s seminal trax imprint dig deep into their vaults and find 7 tracks from armando gallop and his chicago bad boys! armando presents this varied ep with tracks from roy davis jnr, corey rodgers, dean anderson (trax) and e. turner (trax, dj international). a wide range of styles from heavy acid house, techno to looped filtered excursions. 7 tracks to choose from.

in this second acid act, the artists xerosorex and sour, lead us in one of the place that much have characterized the scene of the freeparty: the abandoned plant. in this foundry, between production waste, tangled sheets and shrubs risen between cement, theatmosphere is dark and enthralling. night has fallen for a long and strobe slow down even more movements, but the groove is pressing and acid lines steal minds.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd38 welcomes three newcomers to the whiskey disco roster, andy ash, jp source and vincenzo de bull & halve soul. they join alumni, rabo & snob, to present the disco darling ep. on the a side, andy ash adds his typical 909 vibes to the sliced and looped, chi-town influenced, you ve been found. in the inside, vdb & hs deconstruct and reconstruct cherry pie with acid tension and dub love. flip the platter for rabo & snobs darling, a showcase of what this duo does best, sample + analog synth jam. followed by the quirky rollergirl return. jp source offers a tool to keep the mid-set bouncing heavily, even at 107 bpm!

the mysterious usio project first showed its bewitching janus-face in 2013 with the release of kuwa huru, a star-striking collection of electronic blues for the dance floor that also constituted the first full-length album to appear on studio barnhus. kuwa jasiri is a follow-up and an appendix and something entirely new these four tracks stem from intense rehearsals of usios emotive, energetic live show (coming soon, if youre lucky, to a dark basement/dewy forest floor near you). the breezing funk of opening track gonna make it, the freakish stomp of planet dust, over the andes in all its precipitous acid-jammin glory and contemplative, elegant closing track pamoja have all captivated us at studio barnhus. its a beautiful night outside so we thought it might be time to let these birdies fly.

london based label akute offer up their debut release with a diverse journey through techno from the elusive artist dempa. the title track scabulous employs a pounding, deep sensibility combined with jerking rhythms and distant chords welcoming the trippiest of dance floors. on the flip, alphecca digs deeper still into the depths of bubbling, bass heavy techno, spanking the listener into a kaleidoscope of polyrhythms. bricage starts on a somber note with lush tape driven modular sequencers and acid squelches, building up to a full frontal speaker assault.

nach ihrem beeindruckendem debüt auf musica autonomica im letzten sommer mit genesis und jericho sind baal nun zurück mit ihrer neuen ep noah. die tunes zeigen die große musikalische bandbreite von matthias dräxler und matthias schüll, sowie auch ihre ergebenheit zur tanzfläche. remixes stammen aus den talentierten händen von ruede hagelstein und krink. sowohl die originale als auch die remixes sorgen bereits für eskalation in den clubs und bekommen support von maestros wie tale of us, animal trainer, acid pauli, few nolder, job jobse, speaking minds, fur cout, kiki. lumen wurde im februar bei nsv wordwide zum nr. 1 unreleased track gewählt!

two of ny s finest collaborate as happy family ! we re going back to strobe-lit, day-glo, warehouse territory for these extra large portions of acid soaked dancefloor abandon. limited us import - one press only get on it!

maybe one of the bigger open air releases this year. slow motion minimal pop house at its best. having started to spin hip-hop records in his hometown frankfurt / main he finally ended up in berlin. his >mirrors< ep on katermukke and >akumal< on laut & luise, where released to wide acclaim and already show his versatility and finesse. his remixes and co-productions for instance with nu and acid pauli does confirm his musical pedigree and make us eagerly await all the marvelous things yet to come from this fledging artist.

johnny superglu s second release on plynt, rambo village is his darkest work to date, a mysterious, ethereal and hypnotic urban safari infused with the post-industrial spirit of his hometown of charleroi, a scarred, broken landscape of crumbling steelworks and decaying iron mills. pressing a disparate variety of antique, analogue audio equipment into service, it s a piece of low-fi knob-twiddling shot through with the spirit of chicago s house hey-day and iconic acid house with an instant dance floor feel. enter a moist world of dancing red-masked devils, driven by a hypnotic & mysterious flow that will freeze your blood.

jann is back! again on land of dance records! after his clamorous debut, jann is back with a new ep including four tracks full imprinted of his chicago-acid sound. different mood shaped by mental attitude, electronic sound and power grooves. pure analogue music coming from his machines. we are glad to present andreas gehm aka elect pt. 1 as remixer in this great release, just one word about him acid!

**180 gr** (tuff city kids mixes) we start over new single by steve cobby, 1/2 of the legendary fila brazillia gets remixed by gerd janson & phillip lauer a.k.a tuff city kids.

nice price deal !!! shrinkwrapped gatefold 2x12 lp featuring alltime classic house / club tunes
bomb the bass - beat dis / s express - theme from s express / mickey oliver - in ten si t / ralphi rosario - i want you / marshall jefferson - move your body / black & white brothers - put your hands up / gala - let a boy cry / double dee - found love / wink - higher state of consciousness (tweakin acid funk)

hot of the heels form his omega album robert hood delivers 2 killer new tracks. the thundering kick and warehouse style acid line on power to prophet will add energy to any dancefloor. clash is a nod to the old skool chicago minimal techno sound of producers such as steve poindexter.

inspiration is taken from psychedelic rock, deep southern disco, rhythm and blues, classic house and techno also taking a key from the avant-garde

window window reflecting a nostalgic, classic love for the roland tb-303 and its oozing capabilities, paired with contemporary drums and detailed sound processing, the three talented musicians present their modern view of acid over four unique tracks. featured on the berghain 07 mix by function.

boys noize präsentiert mit strictly raw vol.1 eine kollabo-ep mit grössen wie tiga, dem mysteriösen johnny sack, totally enormous extinct dinosaurs, atom tm, pilo und scntst. die idee strictly raw zu veröffentlichen, beinhaltet mit einer drummachine und ein oder zwei synthesizern zu arbeiten und daraus einen track zu komponieren. im laufe der letzten jahre besuchten viele befreundete künstler boys noize in seinem studio und starteten jam-sessions zusammen. zum anlass des 10-jährigen bnr bestehens veröffentlicht boys noize nun einige der gelungensten ergebnisse.
* als dj hält man immer ausschau nach zeitlosen house oder techno-tunes und hier sind 8 tracks, die von breaks über techno zu acid und klassischem house reichen. alle analog produziert und strictly raw!* - boys noize

‘psych , the long-awaited freaks album released in 2014 gets a re-release in 2015 with some brand new remixes. freaks, a musical partnership between luke solomon and justin harris that s spanned twenty years and includes the music for freaks label, four albums, and an avalanche of singles on the likes of playhouse and hot creations to crosstown rebels, news and international deejay gigolos. the album was released to rave reviews and featured a much awaited gathering of material from the late 00s onwards, including collaborations with robert owens, stella attar and diz washington. this 12- includes interpretations from dave aju, jamie 3:26 and freaks. for over a decade, san francisco innovator and a vital part of circus company, dave aju has been producing and performing his unique brand of electronic dance music, a consistently fresh and expressive sound. his remix of situations makes no exception, a strong piece of jacking house music with bubbling sub bass, strong raw percussive beats, and an effective use of diz vocals and the flute sound. on the b side misfits is reworked by chicago s master jamie 3:26 who turns the tune into an acid house monster and by freaks themselves who extend their original version for dance floor action. a strong package…and more to come !

cool new material from from kimmo rapatti - this is his second release on skudge white and it is another killer! *little elephant* was previous released on a various compilation cd on kims own dum records in 1995 so we are very honored to be able to finally release it for the first time on vinyl!

laid down with authority by l/f/d/m are four no nonsense cuts blasting fresh air into that perennially en vogue phenomenon known as acid house. after stunning eps for glasgows prestigious optimo trax and clandestine traxx, an equally crushing full-length for kompakts ecstatic imprint, and two brain melting eps for diagonal with factory floors dominic butler as bronze teeth, it is an honor to have his sounds grace cgi with a release that sees him playing right for the heart of the dance floor.

this time hinode launch their satellite to neptune, the eighth and farthest planet in the solar system, in order to explore its dense atmosphere and raw uninhabited texture. guided by the roland rhythmical sound, the deep acid tracks wander around dark extraterrestrial dimensions and take their listeners to the bottomless depths of techno jams.

active for over 25 years, max durante is a legendary figure in the italian techno scene. an early 90s innovator in combining the sounds of techno, acid and industrial with his old school project on the legendary italian label acv/hot trax. his project automatic sound unlimited with darchangelo of rephlex records fame was ahead of the game back then. so like glove fits hand. max fits perfectly on sonic groove with a cutting edge , menacing time bomb of an ep. sharp as a razor, hard as steel this is seriously powerful stuff for those that like there techno uncompromised.

colorful in your face disco tinged filter happy house with grubby acid lines, raw chords and swinging drums.

acid, no wave and experimental house producer drvg cvltvre has been busy recently. after releasing with chris moss acid on shipwrec in 2014, vincent koreman then served up a full ep of his own, on dutch label cos_mos and is now back once again with a new four track affair on pinkman that comes two years after he offered up the label’s first ep in 2013. up first, * my houz* is a swampy house track with heavy drums, whirring machines and white noise textures all adding up to an intense affair that sounds like little else. then comes * tyranny of the gods* , a slow tempo but high impact track that builds and builds on a nerve lead synth line as frazzled bass props things up from below. dark and weird, occult and rave, its another unique proposition. on the flip, * sleepdealer* is an unbalanced house track with taught, tight bass and is shot through with laser like synths. serene and spaced out, it makes way for closer * crack spirit guide* which is a noisy, intense and brooding fusion of crisp percussion, big walls of synth and chattering drums that really have you on edge. once agin, then, drvg cvltvre has come up with the idiosyncratic goods.

as spring dawns, rhythm section international go from local artist to a pair of very * local* artists - peckham’s very own chris watson + chris coupe, otherwise known as fyi chris , who present the ‘back in the millennium’ ep as the labels 5th offering. the ep was born after a rather hazy late night listening session at rhythm section hq, where bossman bradley zero was instantly beguiled by the duos hypnotic and rhythmically complex arrangements. the record begins abrasively with the trance-inducing mechanical stutter of back in the millennium , before shuffling into downbeat number * jeru* and then picks things up with the peak time groove of * need i say more* before bringing us back down to earth with the melancholic acid bump of * dedication*. early support from osunlade, mr.g, ryan elliott & damiano von eckhert. ready for club use.

the geezer got you by the balls!

mystery man l.f.t. delivers the second ep for woodwork. his poignant debut wood002 includes three original tracks and a remix by benedikt frey. a1 is a dreamy rhodes journey roughened up by distorted 808 sounds. a2 is a melodic house track with a bubbly bassline juxtaposed against crunchy drums. on the flipside, b1 will take you into a laid-back acid house trip fueled by tons of escorial. benedikt frey then twists the track into a trippy techno journey on b2.

liverpool s scenery records has been making a real splash over the last 18 months, delivering the kind of top notch, analogue-heavy deep house gear that invites comparisons with the best labels from vancouver, washington d.c and new york. there s plenty more to cheer on this label debut from liverpudlian producer binny, not least the immersive melodiousness, dancing synthesizers and rhythmic hustle of -retrospective-. chicago skyway delivers two impeccable rubs of that track, with the second - a new-age techno stomper built around beautiful synthesizer arpeggios and drum machine cowbells - standing out. flip for the glassy-eyed intelligent techno-meets-deep house thrills of -a moment in time-, which is also given a pulsating acid techno makeover from scenery veteran circular rhythms.

the next chapter in the main the invariants series surfaces. on the a side two slightly more effective cuts with centripetal force. on the flipside it submerse with the first a track from the tape archives and to close the ep off a downtempo acid session.

2nd release for kovyazin d on chiwax. we are more then happy about this great 4 trackes full of acid, jack & groove! pressing on transparent blue vinyl.

hand stamped, vinyl only! the second coffee pot release comes with three different tracks. solid grooves, acid infected techno and hypnotic atmospheres for another great releas

pitched somewhere between the molasses gloop of acid tracks and his more gospel moments, pierre s phantasy club was a vocal project that, without reaching the heights of some of his more momentous wild pitch productions and remixes, still showed his versatility. i ll put the bug in you it ll make you stay, i ll plant it it ll never go away. we believe you, pierre. repressed & remastered for 2015 & featuring all original label artwork, with permission from trax records.

12 inch coloured vinyl (hot pink) hand stamped & numbered sleeve. more vinyl only business from the bristol based just jack camp, this time from firm fave amir alexander under his richie ratchet moniker. 2 original acid cuts designed for late night sleazing, this is timeless dancefloor music that makes you want to take your shirt off. mastered to tape before being cut to wax for that extra bit of juice, this is a limited pressing with only 303 copies and no repress. don t snooze on it! vinyl only!

special triple pack for all you neopren & blackfoxmusic lovers out there! contains 3 classic releases:
- bfm018: millimetric - wavecontrol (david carretta remix)
- bfm019: masterton - closer (robert babicz, channel x mixes)
- neo030: theremynt - robotique de l amour

slammin acid / chicago techno monster... 90s analog flavoured

aaaas debut album *shiva watts* sounds both vivid and complex, capturing the raw energy of the mexican producers praised live performances at mutek, boiler room and elsewhere. it is a direct result of tireless, disciplined experimentation with analogue hardware. the 16 tracks on *shiva watts*, which is available for the first time ever on vinyl through the berlin-based antime label, take their cues from a variety of musical styles, most notably acid, combining elements of hard-hitting techno, textural idm, dry-but-funky electro and trance-inducing house with lush ambient-leaning interludes. *shiva watts* is an album which celebrates stylistic and emotional ambiguity, which provides the perfect soundtrack for a world yet to come - and everything that will follow after that. the vinyl lp includes a download code.

stay underground it pays returns! relatively unknown newcomer modula brings us a slab of ruff n ready analog cuts, with a real standout remix from fuckthegovernment! said remix of controllo by f.t.g is so good that it is the opener of the whole record. it’s a remix built for late night experiences, one for the warehouse, with it’s wailing, ravey vocal samples and subterranean rolling acid bassline. the a side is rounded off by modulas tape mix of controllo. doing what it says on the tin, the graininess and saturation that tape production brings is instantly noticeable. while the tape mix is not as sinister as f.t.gs remix, nor as spatially dense, its greater emphasis on synth work is bound to make it a favourite for many suit fans.the b side takes on more of techno form than the a side. kicking off with intrigo (tape edits), the pad sounds give it an ethereal atmosphere, contrasting the almost militant feel of the percussion and bassline. immerso (instrumental mix) is probably the highest energy pick of the bunch, lots of bleepy synth work and crispy power claps might make this track the djs pick of the record. all in all, a top record from modula! dont sleep on it!

hailing from berlin, but spiritually from chi-town, snuff crew are back in your area with some freshly served up basement goodies once again. following on from basement jams #1, from all the way back in 2011, the boys bring us tracks with the same playful nature as before but, dare i say it, they go even harder this time. stalwart fans of the first release can stop reading now because it will almost certainly be a blind-buy for you, four tracks obviously engineered for use in the club, whether its the massive kick in ‘what it is’ or the ravey acid lead in ‘88cents’. the jams on the b-side may do the most damage. ‘remember’ holds absolutely nothing back, with its arpeggiated bassline lead and crisper than crisp 909 drum programming. analog is a term that gets bandied about all the time nowadays, ever since so many young producers became enamoured with tape compression and hiss delay plug-ins. i know snuff crew are real analog guys though, in sound and mentality, so hearing basement jams #2 for the first time had me so excited once again.

following last years extended versions 3, barcelonian underground bld hits us with a new ep straight to the club. two versions of the monstrously acid and beautiful dub building track crawling on the a side and the epic break beat twisted on the flip side. limited copies.